(Blackmore/Coverdale)
Get outta my way
I'm gettin' tired of you
There ain't no chance
Doin' what you wanna do
I've been down, down, down, down, down
Got to get my feet back on the ground
Lady double dealer
Get outta my way
Lady double dealer
You got nothing to say
I ain't satisfied
Dealin' with second hand goods
You wanted somethin' for nothin'
Taking everything you could
You been 'round - I got the news
But you ain't waitin' 'round for me to lose
Lady double dealer
Get outta my way
Lady double dealer
You got nothing to say
I gave love to you
Did what you wanted me to
But all you did was bring me down
So I just had to try
Try to reason why
You took advantage of my love
Two timin' woman
Tryin' to take me for a ride
You're a hard lover honey
But you sure don't keep me satisfied
I wanna be there
To try to make you see
There ain't no woman gonna make a fool outta me
Tuesday, October 29, 2013
Deep Purple: Lady Double Dealer
6
Sunday, October 27, 2013
Procol Harum - A Whiter Shade of Pale
5
Inicialmente gravado em 1967
We skipped the light fandango
Turned cartwheels 'cross the floor
I was feeling kinda seasick
But the crowd called out for more
The room was humming harder
As the ceiling flew away
When we called out for another drink
And the waiter brought a tray
And so it was that later
As the miller told his tale
That her face, at first just ghostly,
Turned a whiter shade of pale
She said, "There is no reason
And the truth is plain to see."
But I wandered through my playing cards
And they would not let her be
One of sixteen vestal virgins
Who were leaving for the coast
And although my eyes were open wide
They might have just as well been closed
And so it was that later
As the miller told his tale
That her face, at first just ghostly,
Turned a whiter shade of pale
She said, "I'm here on a shore leave,"
Though we were miles at sea.
I pointed out this detail
And forced her to agree,
Saying, "You must be the mermaid
Who took King Neptune for a ride."
And she smiled at me so sweetly
That my anger straightway died.
And so it was that later
As the miller told his tale
That her face, at first just ghostly,
Turned a whiter shade of pale
If music be the food of love
Then laughter is it's queen
And likewise if behind is in front
Then dirt in truth is clean
My mouth by then like cardboard
Seemed to slip straight through my head
So we crash-dived straightway quickly
And attacked the ocean bed
And so it was that later
As the miller told his tale
That her face, at first just ghostly,
Turned a whiter shade of pale
Inicialmente gravado em 1967
We skipped the light fandango
Turned cartwheels 'cross the floor
I was feeling kinda seasick
But the crowd called out for more
The room was humming harder
As the ceiling flew away
When we called out for another drink
And the waiter brought a tray
And so it was that later
As the miller told his tale
That her face, at first just ghostly,
Turned a whiter shade of pale
She said, "There is no reason
And the truth is plain to see."
But I wandered through my playing cards
And they would not let her be
One of sixteen vestal virgins
Who were leaving for the coast
And although my eyes were open wide
They might have just as well been closed
And so it was that later
As the miller told his tale
That her face, at first just ghostly,
Turned a whiter shade of pale
She said, "I'm here on a shore leave,"
Though we were miles at sea.
I pointed out this detail
And forced her to agree,
Saying, "You must be the mermaid
Who took King Neptune for a ride."
And she smiled at me so sweetly
That my anger straightway died.
And so it was that later
As the miller told his tale
That her face, at first just ghostly,
Turned a whiter shade of pale
If music be the food of love
Then laughter is it's queen
And likewise if behind is in front
Then dirt in truth is clean
My mouth by then like cardboard
Seemed to slip straight through my head
So we crash-dived straightway quickly
And attacked the ocean bed
And so it was that later
As the miller told his tale
That her face, at first just ghostly,
Turned a whiter shade of pale
Deep Purple: Highway Star e Space Trukin' (Hammond)
4
Uma das formas de se perceber e avaliar música consiste em conseguir-se, tanto quanto cada qual conseguir, escutar separadamente cada instrumento. É um exercício que requer dedicação e insistência porque, evidentemente, os instrumentos são tocados em conjunto.
Segue-se o exemplo da música Highway Star, iniciamente gravada em 1972.
A intensidade emanada do Hammond depende de um pedal que não se vê na imagem. Nele, as teclas não são sensíveis à força com que são percutidas.
Oiça-se inicialmente uma versão simplificada da parte que corresponde à do órgão Hammond:
Na versão original (para além da letra remeter para uma perigosa confusão entre o carro e a miúda).
Segue-se, no vídeo inicial, a música Perfect Strangers (gravada inicialmente em 1984) que é algo bastante mau.
Passemos à seguinte: Space Trukin' (gravada inicialmente em 1971)
Uma das formas de se perceber e avaliar música consiste em conseguir-se, tanto quanto cada qual conseguir, escutar separadamente cada instrumento. É um exercício que requer dedicação e insistência porque, evidentemente, os instrumentos são tocados em conjunto.
Segue-se o exemplo da música Highway Star, iniciamente gravada em 1972.
A intensidade emanada do Hammond depende de um pedal que não se vê na imagem. Nele, as teclas não são sensíveis à força com que são percutidas.
Oiça-se inicialmente uma versão simplificada da parte que corresponde à do órgão Hammond:
Na versão original (para além da letra remeter para uma perigosa confusão entre o carro e a miúda).
Segue-se, no vídeo inicial, a música Perfect Strangers (gravada inicialmente em 1984) que é algo bastante mau.
Passemos à seguinte: Space Trukin' (gravada inicialmente em 1971)
Saturday, October 26, 2013
Stranger Of The Shore
4
(2ème version) - Clarinet - Acker Bilk 1961
(2ème version) - Clarinet - Acker Bilk 1961
by Acker Bilk, Benkó Dixieland Band
Thursday, October 24, 2013
Jon Lord: Gigue
7
Ao vivo no Vulkanhalle, Colónia, Alemanha, Jon Lord e um dos mais extraordinários instrumentos electromecânicos de teclas, o órgão Hammond.
Ao vivo no Vulkanhalle, Colónia, Alemanha, Jon Lord e um dos mais extraordinários instrumentos electromecânicos de teclas, o órgão Hammond.
Wednesday, October 23, 2013
Copland Clarinet Concerto with Eddie Daniels and Roberto Molinelli
8
Part of the Backun Live Series, this video features Eddie Daniels performing the Aaron Copland Clarinet Concerto with Maestro Roberto Molinelli conducting the Orchestra Sinfonica G. Rossini at the Teatro Rossini in Pesaro, Italy on February 17, 2012.
Special thanks to Maestro Molinelli and the Orchestra Sinfonica G. Rossini for sharing this recording with us and allowing us to post it on our YouTube page! Special thanks also to Corrado Giuffredi for performing with Eddie, Roberto and the orchestra on the performance.
Eddie is playing a Backun Cocobolo Clarinet with Gold Keys, a Fatboy Cocobolo Barrel, Traditional Cocobolo Bell and Eddie Daniels Backun Classical Mouthpiece.
To learn more about Backun products and the artists who play them: visit our website, find us on Facebook and follow us on Twitter!
http://www.backunmusical.com
http://www.facebook.com/backunmusical
@backunmusical
Thursday, October 17, 2013
Jethro Tull, Locomotive Breath
7
Songwriters: IAN ANDERSON In the shuffling madness
Of the locomotive breath,
Runs the all-time loser,
Headlong to his death.
He feels the piston scraping --
Steam breaking on his brow --
Old Charlie stole the handle and
The train won't stop going --
No way to slow down.
He sees his children jumping off
At the stations -- one by one.
His woman and his best friend --
In bed and having fun.
He's crawling down the corridor
On his hands and knees --
Old Charlie stole the handle and
The train won't stop going --
No way to slow down.
He hears the silence howling --
Catches angels as they fall.
And the all-time winner
Has got him by the balls.
He picks up Gideon's Bible --
Open at page one --
God stole the handle and
The train won't stop going --
No way to slow down.
Songwriters: IAN ANDERSON In the shuffling madness
Of the locomotive breath,
Runs the all-time loser,
Headlong to his death.
He feels the piston scraping --
Steam breaking on his brow --
Old Charlie stole the handle and
The train won't stop going --
No way to slow down.
He sees his children jumping off
At the stations -- one by one.
His woman and his best friend --
In bed and having fun.
He's crawling down the corridor
On his hands and knees --
Old Charlie stole the handle and
The train won't stop going --
No way to slow down.
He hears the silence howling --
Catches angels as they fall.
And the all-time winner
Has got him by the balls.
He picks up Gideon's Bible --
Open at page one --
God stole the handle and
The train won't stop going --
No way to slow down.
Thursday, October 10, 2013
Carpenters - I Need To Be In Love
4
The hardest thing I've ever done is keep believing
There's someone in this crazy world for me
The way that people come and go through temporary lives
My chance could come and I might never know
I used to say, "No promises, let's keep it simple"
But freedom only helps you say goodbye
It took a while for me to learn that nothin' comes for free
The price I've paid is high enough for me
I know I need to be in love
I know I've wasted too much time
I know I ask perfection of a quite imperfect world
And fool enough to think that's what I'll find
So here I am with pockets full of good intentions
But none of them will comfort me, tonight
I'm wide awake at four a.m. without a friend in sight
I'm hangin' on a hope but I'm alright
I know I need to be in love
I know I've wasted too much time
I know I ask perfection of a quite imperfect world
And fool enough to think that's what I'll find
I know I need to be in love
I know I've wasted too much time
I know I ask perfection of a quite imperfect world
And fool enough to think that's what I'll find
Tuesday, October 8, 2013
One from the Earth
5
Música do filme extraordinário file One From The Heart, de Francis Ford Coppola.
O filme pode ser visto aqui (cuidado com a oferta de plugins).
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